Jale Erzen & Raffaele Milani (eds.) Nature and the City. Beauty is Taking on a New Form. International Yearbook mof Aesthetics. Volume 17. Sassari: Edzione Edes 2013
The city, too, is landscape. We can leave it by going into nature exchanging the urban for the rural, but we can also enter the city to live within the architecture and contemplate its forms. Every architectural structure is a landscape and promotes an educational or paedeumatic relationship between the viagra website spirit and the environment. Our gaze and our bodies activate a certain way of contemplating that promotes the interchange between the external perception of the physical world and buy discount viagra an internal seeing, which is the psychic perception of the visual image. There is a close relationship between the aesthetic experience of the natural environment and that of www.hotel-alte-werft.de the urban landscape. In the same way that humankind lives on the earth so, too, it lives in the city.
About the Editors
Jale Nejdet Erzen (izmir University), painter and art historian, publications on Ottoman architecture, painting and aesthetics. Vice president of viagra without ed IAA. Founder and enter site long-time president of Turkish Association of Aesthetics, SAN ART. Affiliations, Middle East Technical University-Ankara and izmir University Izmir Turkey. Recent publications on urban aesthetics, contemporary art.
Raffaele Milani is Professor of Aesthetics and the author of numerous books, including The Aesthetic Categories, The Adventure of Landscape and The Faces of Grace. Philosophy, Art, and Nature. Director of the Laboratory of http://www.auburg.de/order-cheapest-levitra-online Research on canada pharmacy viagra the Cities (Institute for Advanced Studies), University of Bologna. Member of the European Commission at the French Ministry of Environment and Sustainable Development on: De la connaissance des paysages à l’action paysagère.
Jos de Mul and Renée van de Vall (eds.) Gimme Shelter: Global Discourses in Aesthetics. International Yearbook of Aesthetics. Volume 15. Amsterdam: Amsterdam University Press, 2013
Gimme Shelter. Global discourses in aesthetics contains a series of reflections on the impact of globalization on the arts and the aesthetic reflection on the arts. The authors – fifteen distinguished aestheticians from all over the world - discuss a variety of look there aesthetic questions brought forth by the aforementioned process of globalization. How do artistic practices and aesthetic experiences change in response to these developments? How should we articulate these changes on the theoretical level? When reflections on the significance of art and order cialis canada aesthetic experiences can no longer pretend to televideocom.com be universal, is it still possible to lay claim to a wider validity than merely that of one’s own particular culture? What type of vocabulary allows for mutual – dialogical or even polylogical – exchanges and understandings when different traditions meet, without obliterating local differences? Is there a possibility for a creative re-description of globalization? And is there a meaning of ‘the global’ that cannot be reduced to universalism and unification? Can we seek shelter in a legitimate way?
About the editors
Jos de Mul is professor of Man and Culture at Erasmus University Rotterdam. He has also taught at the University of Michigan (Ann Arbor) and Fudan Univer- sity (Shanghai), and has been visiting fellow at the Institute for Advanced Study in Princeton. From 2007 until 2010 he was the www.antilliaansdagblad.com President of the International Associa- tion of Aesthetics. His work is on the interface of philosophical anthropology (and its history), aesthetics, and philosophy of technology. English publications include: Romantic Desire in (Post)Modern Art and Philosophy (State University of New York Press, 1999), The Tragedy of Finitude. Dilthey’s Hermeneutics of Life (Yale Univer- sity Press, 2004), Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology (Cambridge Scholars Publishing, 2010), and Destiny Domesticated. The Rebirth of Tragedy out of follow link the Spirit of Technology (State University of New York Press, 2013). His work has been translated in more than a dozen languages. An extended CV and publication list is http://isiswomen.org/viagra-cheapest-price-generic available at www.demul.nl.
Renée van de Vall is professor in Art and Media at Maastricht University where she is chair of the Department of Arts & Literature. She has been president of the Dutch Association for Aesthetics (2002-2006) and is currently Dutch delegate in the Executive Committee of the IAA. Her research interests are philosophical aesthetics and the phenomenology of contemporary visual art and spectatorship. She currently leads an interdisciplinary research project on the theory and http://www.antilliaansdagblad.com/best-price-propecia ethics of the conservation of canada generic levitra contemporary art. Some recent publications are At the Edges of Vision. A Phenomenological Aesthetics of Contemporary Spectatorship (2008); ‘A Penny For Your Thoughts. Brain-scans and the Mediation of Subjective Embodi- ment’ in R. van de Vall & R. Zwijnenberg (eds.) The Body Within: Art, Medicine and Visualisation (2009); and ‘Towards a Theory and Ethics for the Conservation of Contemporary Art’ in Art d’aujourd’hui – patrimoine de levitra generic usa demain. Conservation et restauration des oeuvres contemporaines. (2009).