Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action. International Yearbook of Aesthetics. Volume 18. 2014 Content The 18th…More...
"Aesthetics and Mass Culture" Proceedings of the 20th International Congress of Aesthetics Seoul National University, Seoul, Korea Organised by the…More...
Zoltán Somhegyi (ed.). Retracing the past. Historical continuity in aesthetics from a global perspective International Yearbook of Aesthetics. Volume 19. 2017…More...
Misko Suvakovic and Vladimir Mako (ed.). The Aesthetics of Architecture – Beyond Form. International Yearbook of Aesthetics. Volume 20. 2020More...
CALL FOR PAPERS Abstract submissions are now open, until 15 October, 2021, for ICA 22. Please, find further details in…More...
SANART Association for Aesthetics and Visual Culture was founded in 1991 with the aim to develop the philosophical and discursive background to artistic practice and the promotion of Aesthetics in Turkey. Since 1992 it has organized many international symposia inviting both accomplished artists and scholars in aesthetics, art and architecture. Each symposia is accompanied by related artistic events, exhibitions and performances. The 1992 ‘Identity, Marginality and Space’ Symposium hosted a CoBrA exhibition at the National Museum in Ankara as well as Japanese ceramics and South American painting shows. Ever since many similar artistic events and conferences have been organized including the 2007 International Congress of Aesthetics at the Middle East Technical University in Ankara which was attended by more than 400 participants. Many of these activities have been recorded in bilingual publications. SANART today has 90 active members. From 1992 to 2010 Jale Erzen acted as the President, since 2010 the president is Cana Bilsel.
Website of the SANART Association for Aesthetics and Visual Culture.
Who is Afraid of Experimentation? Art Theory in Japan after World War II,
with Genta OKAMOTO (Okayama University, Japan), Ayako IKENO (JSPS, Tokyo University, Japan)
and Giuseppe PATELLA (University of Rome Tor Vergata).
October 8th, 2013, 10 a.m.
University of Rome Tor Vergata
Via Columbia 1
00133 Rome (Italy).
International Conference “Literary Theories and Critiques of Our Time” & 11th Annual Conference of China Association of Sino-Foreign Literary and Arts Theories (CASFLAT), August 15-19, 2014
Henan University, Kaifeng, Henan Province, ChinaCo-sponsored by CASFLAT, Henan University College of Humanities, Section of Literary Theories of Institute of Literature, CASS, and International Association for Aesthetics
The 11th Annual Conference of CASFLAT on “The Literary Theory and Critique of Our Times” concentrates on the relationship of literary theory and critique to the times, society and contemporary living condition. Theme of 2014 is to restate the commitment of relating literary theoretical studies with the presence of contemporary China, in the hope of exploring the ways to rectifying the separation between theories and practices, and the inadequate introductions and interpretations of the foreign and classical literary theories.
This conference will include panel presentations, and keynote speeches by invited international scholars, as well as roundtable discussions. This conference welcomes papers address on, but not limited to, the following research topics:
The conference committee has arranged the post-conference cultural tour, including three lines: Luoyang (Shaolin Temple and Longmen Grottos), Anyang (Relics of Yin Dynasty), and Kaifeng (Dragon Pagoda, Prime Minister Temple, Jin-Shan-Gan Guild Hall), which is not covered by the registration fee. The conference committee will be assisting to contact with local tourist agencies.
We cordially welcome you to attend our 11th CASFLAT conference and look forward to the reunion in Kaifeng! Should you have any questions, please contact with us:
Evental Aesthetics 2, no.1 (2013) - Aesthetics Before 1700 - Deadline: February 1, 2013
The Editors of Evental Aesthetics, a peer-reviewed, open-access journal dedicated to philosophy and art, are pleased to invite submissions for our forthcoming issue on aesthetic practices developed prior to 1700.
We welcome authors from any discipline, and topics based on the aesthetic practice of any culture. Neither philosophical perspectives nor artworks proposed for analysis need originate in Western cultures, although they may of course do so.
This section contains the Newsletters and Yearbooks published by the IAA, links to journals published by the National Societies of Aesthetics or edited by members of the IAA, the archives of the IAA, and proceedings documenting conferences organized by the IAA or member societies.
The First International Congress of Aesthetics (ICA) was organized by Max Dessoir in Berlin in 1913. A second congress took place in Paris in 1937. Interrupted by the Second World War, the congresses resumed in 1956, when the third congress was held in Venice. From that time until 1992, congresses took place at four-year intervals. From that time on they have been arranged at three-year intervals. Until 2000 all congresses were held in Europe. Increasing interest in aesthetics and a greater concern for international communication and association led the Association to enlarge the geographical scope of the congresses, starting with the XVth ICA in Tokyo, 2001. The later congresses were organised in Rio de Janeiro in 2004, Ankara in 2007, Beijing in 2010, Krakow in 2013, Seoul in 2016 and Belgrade in 2019. The next ICA will be in Belo Horizonte, in 2022.